Journey to the Imaginary East: Exploring the Representation of Eastern Cultures from an Orientalism Perspective in the Animation " Azur & Asmar: The Princes' Quest " by Michel Ocelot

Abstract

The animations of Michel Ocelot, the French animator, who has created works largely based on the "East" stories, can be accused of reinforcing the stereotypical views of some Orientalists. While there have been studies on this matter, a direct, independent, and thorough examination of Ocelot's animated works from this perspective has not yet been conducted. This research article investigates Michel Ocelot's perspective on the representation of non-Western cultures by delving into the ancient beliefs and rituals of Arabic-speaking regions. To achieve this goal, Ocelot's animated work Azur & Asmar is analyzed in this article, focusing on its technique and concept using the criteria of Edward Said's definition of Orientalism. One of the most significant aspects of Michel Ocelot's view of the East is his belief in the necessity and importance of peaceful coexistence between Eastern and Western cultures, which is especially evident in Azur & Asmar. It seems that Ocelot believes that despite the cultural differences between these two perspectives, Westerners and Easterners can live together peacefully. Ultimately, it can be said that Michel Ocelot's approach in Azur & Asmar towards the concept of Orientalism and the representation of East-West interactions is neither entirely domineering and aligned with Orientalist stereotypes, nor is it fully empathetic towards Eastern cultures, beliefs, and rituals.