Employing the Plastic Capabilities of the Movement of Arabic Calligraphy to Make Printed Artifacts by Combining Environmental Materials and Manual Printing Techniques

Abstract

The problem of research is determined in employing Arabic calligraphy in a different way from the methods used through its formulation using the technique of synthesis of the surrounding environment materials and manual printing techniques (stencil printing - mold printing), which achieves sensory and tactile prominence with its aesthetic and expressive values and as a linguistic content, and standing on its experimental possibilities to make printed artifacts by synthesizing between some types of pastes and environmental raw materials because of their unspecified plastic properties and changing some of their specifications by adding ready-made chemicals to improve their properties and between raw materials Help for this synthesis to enrich the artistic workpiece. Therefore, the research aims to experiment to find a variety of formations to reveal the aesthetic data of Arabic calligraphy and formulate it in a way that achieves plastic values. And to benefit from the artistic features and the various plastic capabilities of the environmental materials in highlighting the artistic values of the artistic work, and to employ Arabic calligraphy with environmental materials in the field of artistic works and manual printing techniques. To verify this, some designs have been implemented that assume the possibility of employing Arabic calligraphy through its plastic and philosophical dimensions as an experimental approach to the formation of environmental materials and synthesis with auxiliary materials in flat and stereoscopic artistic work and different printing techniques suitable for each design.

The research dealt with three main axes, namely the axis of employing the plastic capabilities of the movement of Arabic calligraphy and the axis of synthesis between different environmental materials and the axis of different printing techniques and linking them and clarifying the concept of Arabic calligraphy and types of Arabic calligraphy and its variables and the concept of environmental raw materials and identifying the concept of artistic works and the use of all axes in order to achieve new printed pendants that enrich the contemporary artistic work, and the problem of research lies in how Employing the plastic capabilities of the Arabic calligraphy movement to make printed artifacts by combining environmental materialsand manual printing techniques.

The research aims to put forward new entrances to the design of printing and artistic workpiece and combine them in new formulations based on the variables of Arabic calligraphy, has been used descriptive experimental approach through the implementation of several designs fit as pendants combine printing techniques (stencil style - style printing templates) and synthesis of raw materials and the most important results that can benefit from modern theories in finding new innovative design solutions in the field of printing and artistic pendants and artistic work by combining two areas of arts Plastic .